Recent
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Introduction to Theatre Direction (2023) - workshop for the CornerHOUSE
The Dreidel by Elisabeth Marrion (2022) - director for The CornerHOUSE
D Minor by Lea Sellers (2020) - OSO Arts Centre (Cancelled due to Covid)
Powershare (2020) - The Bunker Theatre - director D Minor (cancelled due to Covid)
A Midsummer Night's Dream (2019)- director for The CornerHOUSE Arts Centre
Page to Stage (2019) New writing night directing "Tooth and Nail" by Alison Roe.
Summer Stock Theatre (2019) New work "D Minor" Rehearsed reading for Theatre Deli Mind Full Season.
The CornerHOUSE (2018) OneACTS New Writing Festival. Director for "Saying Goodbye" by Rebecca Mayhew
Young Vic Theatre, (2017) Workshop, Deviser / dramaturgical development, MOUNTING A COUP, Young Vic, Gbolahan Obisesan
Rose Theatre - Kingston. (2016) Working with new writers to workshop ideas in a rehearsal process with Daniel Weyman, Ciara Morris, Alex Middleton and Kate Tydman.
Fifth Dimension Theatre - University of Surrey (2016)- Elysium - Created by Clea Williams (AD & Movement Director), Andy Plom (Director), Tim Vest (Writer), Ashley M A Walsh (Composer) and the cast. Elysium is about an island, a community stranded and one man’s psychological collapse. The piece is inspired by an avenue of critical enquiry that the creative team discovered in Harvard University’s Philosophy Degree Programme, that is, ‘Is it ever right to eat another human being?’. Elysium is a new form of musical theatre in its early stages of development.
Guildford School of Acting - The Ivy Theatre, Guildford (2015)- The Taste of Glass {a fragmented collection} - Creative Producer
Created by Clea Williams, Conor Kennedy-Burke, Gigi Yiu, Jess Smith and the ensemble.
“Everyone has a dark side they sometimes try to hide… I guess that makes it more attractive” Alexander McQueen
Enter the world of fashion for an unrecognisable reimagining of a familiar fairytale. The audience will follow a trail of obsession that will lead them into an immersive world of storytelling blurring the theatrical boundaries between audience and performance.
How far would you go to live happily ever after?
Complicte and Why Not Theatre – Like Mother Like Daughter @ Battersea Arts Centre. (26 May - 6 June 2015)
‘Like Mother, Like Daughter provides a compelling example of how there are different way to unite communities. We may not share ethnicities or religion. Our incomes may differ and we may vote for different parties. Yet all mothers are mothers, and all mothers are daughters. No amount of religion, cultural identity or political rhetoric can change that basic fact. In a society that can appear increasingly fractured, here is a powerful reminder that if we just alter the prism through which we view each other then it need not be hard to find common ground.’ (Civilian Theatre. 2015)
‘But it’s a lovely idea, a simple act of generosity on the part of all those involved that made me leave BAC mourning my own mother and all the questions I never asked while there was still time.’ (Gardener. 2015)
Guildford School of Acting – MA Musical Theatre. (March 2015)
Devised and collaborative project. 'IF'
Creative collaborator.
Lone Twin – True West @ The Ivy Theatre, Guildford.
Lone Twin & The Table
“A triumph, theatrical magic” The Times on ‘The Festival’
“Revolutionary theatre” Time Out on ‘The Catastrophe Trilogy’
“Impossible to pigeon-hole, crosses boundaries and brings people together” The Guardian
The infamous Lone Twin duo return from an eight-year hiatus, with a raucous re-imagining of Sam Shepard’s True West. The original play is set in a kitchen, in a house, in a suburb, some 40 miles out of Los Angeles in the late 1970s. It tells the tale of a family storm with two brothers at its eye. A classic study of social, cultural and political conflict and reconciliation, here True West is re-worked by Whelan, Winters and a tempestuous chorus drawn from the University’s student population. Hold onto your hats, it’s going to be quite a night.’(University of Surrey. 2015)